But the play, while regularly taught in college theater seminars, is less commonly revived because of its complicated logistics. The audience breaks up into groups, with each group taking turns eavesdropping on a different set of characters. The play is exploratory in both content and form. Rather than setting out to confirm one strain of thinking on sexual politics, it dynamically dramatizes the interplay of perspectives of eight female characters, gay and straight, all of whom are grappling with the warping effect of patriarchal culture on their sense of self. Hal Prince redefined the musical and Broadway in the second half of the 20th century. But something is eating Fefu from within.
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